Ian Andrews is a new media, sound and video artist, who has worked with various electronic media since 1981.  In 1995 he completed BA (Honours) in Communication with first class Honours at University of Technology Sydney. A doctoral candidate (DCA), and academic, at University of Technology Sydney.
Selected Interactive Projects:
Sound of Failure, Reverse Garbage, Sydney (sound installation),
Brut Loops Artspace, Sydney, (sound installation).
This is not a Film Premiere, Don’t Look Gallery, Sydney, (video-sound installation). 2008
Sound Drift , with Timo Kahlen, SoundART 2007 (Traumzeit Festival), Duisburg, Germany (new media work). 2006
Selected Discography:
Transiterations (DVD) Demux 003
Delayed Inaudible P2 (cd) pneuma 006
Pacifica (cd) pneuma 002
Ceremonial (cd) Fällt (ferric series)

Adam Hinshaw is a new media programmer, artist and creative collaborator.
Professionally working in the field of multi media programming since 1998, across the areas of advertising, web, events, film & television.
Selected Interactive Projects:
Seeker – Installation - Leon Cmielewski, Josephine Starrs
Untitled Media – Installation – with Reality Cooperative
• ISEA - San Jose, California – 2006
Omphalos (Oracle #7) – Installation – Panos Couros
• Kudos Gallery 2005
Floating Territories – Installation - Leon Cmielewski, Josephine Starrs
• 2nd Beijing International New Media Exhibition & Symposium - 2005
Throw – Installation – Mari Velonaki
• Experimedia, State Library of Victoria, Melbourne 2004.

Brad Miller: Exhibitions:
2009 augment_me: Artspace Sydney
2001-1998.Contact Zones: The Art of CD ROM, curated by Tim Murray. mHerbert F Johnson, Museum of Arts, Cornell University, New York, Nickle Arts Museum, University of Calgary, Alberta, Canada and The Center for the Image, Mexico City.
2000.Medi@terra: On the Edge, Athens Greece.
1999.Contain.her, multimedia performance, Sarah Waterson, Anna Sabiel Heather Grace Jones, Nik Wishart.
1998.Foldback, Ngapartji Multimedia Centre, Adelaide Festival Being Connected, The studio in the Networked Age.
1996.aliens.AU, Video Positive, Manchester & Liverpool UK.
1995.Burning the Interface: Museum of Contemporary Art, Sydney. Ngapartji: Co-operative Multimedia Centre, Adelaide. Experimenta: Centre for Contemporary Photography, Melbourne.Perth Institute of Contemporary Art, Western Australia. Brisbane city Hall Gallery and Museum, Queensland.
1995.ARS 95, Museum of Contemporary Art, Helsinki Finland
1995.CeBIT, Australian Pavilion Hamburg, Germany
1995.Revue Virtuelle n#12, Centre Georges Pompidou "A Digital Rhizome"
1994.International Symposium of Electronic Arts 94, Helsinki Finland.

Support:
2008 New Work VACB, Australia Council
2004 Faculity Research Grant
1997.Australia Council, New Media Arts Fund grant travel & training.
1996.Australian Film Commission, Travel grant.
1995.Australian Network for Art & Technology. Travel grant (quick response) for Tucson II (Towards a Science of Consciousness)
Australian Film Commission. Film Development Investment with McKenzie Wark. Australian Network for Art & Technology with McKenzie Wark.
1994.Faculty Research Committee (UNSW) travel grant. Australian Council (ISEA-IUAH) travel grant.

Kate Richards is a Sydney-based media artist with an undergraduate degree in BA Communications from UTS (1980), and a Masters in Fine Art in New Media Research from the University of NSW (CoFA) 1st class honours in 1996. Kate works across multimedia, interactivity, visualisation software and time-based media and is exhibiting artworks both nationally and internationally. Recent multimedia projects include Foul Whisperings, Strange Matters (Lit Bd Australia Council and New Media Consortium) in Second Life with Kerreen Ely-Harper and Angela Thomas; the Life After Wartime suite with Ross Gibson, the most recent outcome being the 5 channel interactive media installation Bystander (funded by the Australian Research Council and The Nelson Meers Foundation) exhibited at The Performance Space@Carriage Works in August 2007 plus other CDROMS, live performance and a print exhibition exhibited since 1999; Wayfarer with Martyn Coutts, a live game space performed at The Performance Space@Carriage Works in September 2007(funded by the InterArts and Theatre Board Australia Council); The Uncertainty Principle, a photographic exhibition at the Australian Centre for Photography in Oct 2007; sub_scape with Sarah Waterson, exhibited at d<art 2006 and syncity at ACP for dLux Media, ISEA Helsinki 2004 and ACMI in Proof, the Act of Seeing with One’s Own Eyes 2005, and Crying Man 4 with Lyndal Jones at Artspace in Sydney 2005. Kate also was in a group drawing show at G&A Gallery Sydney in 2006. Kate has worked with multimedia in other live performance contexts with Red Iris live (with musician Stevie Wishart, 1999 Newtown Theatre) and Life After Wartime live with The Necks (Adelaide Fringe Festival 2002 and Sydney Opera House 2003). Kate contributes to her own and other media communities with conference papers and panels. Recent ones: 2007 Guest panelist at Nobel Exhibition public Programs UTS, artist talk at Carriage Works for ‘Bystander’ and at Australian Centre for Photography for the exhibition ‘Avatar - The New You’ 2008.